﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><language>en</language><title>2008</title><link>http://www.laopera.com/</link><description /><ttl>60</ttl><generator>EPiServer CMS 5</generator><item><title>James Conlon: Puccini, Melodrama and the Ubiquitous Feminine</title><link>http://www.laopera.com/news/blog/Dates/2008/10/James-Conlon-Puccini-Melodrama-and-the-Ubiquitous-Feminine/</link><description>Chi ha vissuto per amore, per amore si mori. (Who has lived for love, dies for love.) —Giacomo Puccini/Giuseppe Adami ( Il Tabarro ) It is hard to name another composer whose entire creative force so rarely deviated from a single focal point....</description><guid>http://www.laopera.com/news/blog/Dates/2008/10/James-Conlon-Puccini-Melodrama-and-the-Ubiquitous-Feminine/</guid><pubDate>Mon, 08 Oct 2012 13:54:35 GMT</pubDate></item></channel></rss>