﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><language>en</language><title>Albert Herring</title><link>http://www.laopera.com/</link><description /><ttl>60</ttl><generator>EPiServer CMS 5</generator><item><title>Albert Herring–A Note from the Conductor</title><link>http://www.laopera.com/news/blog/Admin/Dates/2012/2/Albert-HerringA-Note-from-the-Conductor/</link><description>By James Conlon Albert Herring, Britten’s only true comic opera, is the second of his three “chamber” operas. The first of these, The Rape of Lucretia (1946), was written immediately after his first successful opera, Peter Grimes, permanently...</description><guid>http://www.laopera.com/news/blog/Admin/Dates/2012/2/Albert-HerringA-Note-from-the-Conductor/</guid><pubDate>Thu, 10 May 2012 11:35:52 GMT</pubDate><category>Albert Herring</category></item><item><title>Albert’s Wild Explosion</title><link>http://www.laopera.com/news/blog/Admin/Dates/2012/1/Alberts-Wild-Explosion1/</link><description>By Gavin Plumley Benjamin Britten is often considered a severe composer. It is a somewhat myopic view of the man and his work. After all, his first opera was the 1941 American comedy Paul Bunyan. But it wasn’t until 1945 and the premiere of his...</description><guid>http://www.laopera.com/news/blog/Admin/Dates/2012/1/Alberts-Wild-Explosion1/</guid><pubDate>Thu, 10 May 2012 14:16:57 GMT</pubDate><category>Albert Herring</category></item></channel></rss>